(NBC Primetime, 1956) [The hard-charging 1940's reporter whose riveting combination of gossip and commentary had made him a fixture on network radio, with his teletype-punctuated delivery sounding as if everything he reported had earth-shattering importance, didn't make the transition to network television very well. He was given three seasons on ABC (1952 - 1955) to try to attempt the transition, but the simulcast of his radio show was a curiousity that didn't really work in the format of a Sunday-evening "news" show. By that time, TV news was more sophisticated, including filmed stories and more factual reporting. So eventually the aging Winchell quit over a confrontation with a network news executive who tried to mold it into what was needed for the new medium. The next year in 1956 NBC gave him a second chance -- to try a different role entirely -- that of a variety show impresario. After all, Winchell knew just about everybody who was anybody then. And if Ed Sullivan -- another "newsman" -- could pull it off, why couldn't Winchell? But Winchell was basically a celebrity power broker, whose ego and many grudge feuds had reached the point where they began to backfire against him. One thing about television -- it reveals the character of people more than they might want; and Winchell was not such a nice man. At times he was downright nasty. So what qualities Ed Sullivan may have revealed in presenting his guests with a certain grandiose admiration was lacking from the Winchell persona. His persona lacked even the pretense of humility. He was a force to be reckoned with. And he let everyone know it. So his variety show was cancelled in mid-season after just 13 weeks. Winchell tried a filmed show later with his pals at Desilu for whom he had narrated "The Untouchables" series. "The Walter Winchell File" (1957 - 1959) was a typical crime drama, which did have better luck -- airing for one season on ABC, and then another season or two in syndication. As the 1950s drew to a close, this 1940's radio legend had found he was viewed more as a caricature of his former self, whose role on the world media stage had worn out its welcome.]
Composer: George M. Cohan (ASCAP) [professional name of George Michael Cohan] 1978 Publisher: [several Public Domain arragements credited in the 1978 ASCAP Index of Performed compositions] 2001 Publisher: In the Public Domain; and George M. Cohan Music Publishing Co. (ASCAP) c/o Carlin America of New York, NY Composition Date: 1904 Copyright Date: Renewal Date: Recordings: