(ABC Sunday nights, 1952 - 1955) [The hard-charging 1940's reporter whose riveting combination of gossip and commentary had made him a fixture on network radio, with his teletype-punctuated delivery sounding as if everything he reported had earth-shattering importance, didn't make the transition to network television very well. He was given three seasons on ABC to try to attempt to make a transition. But this simulcast of his radio show was a curiousity that didn't really work in the format of a TV Sunday-evening "news" show. By that time, TV news was becoming more sophisticated, including filmed stories and more factual reporting. So eventually the aging Winchell quit over a confrontation with a network news executive who tried to mold it into what was needed for the new medium. Winchell got other chances -- a short-lived NBC variety show in which he tried to be an "Ed Sullivan" introducing the acts. But the public didn't seem to accept him in that role, and frankly his true personality was starting to come out, and it wasn't a nice picture. Winchell tried a filmed show later with his pals at Desilu for whom he had narrated "The Untouchables" series. "The Walter Winchell File" (1957 - 1959) was a typical crime drama, which did have better luck -- airing for one season on ABC, and then another season or two in syndication. As the 1950s drew to a close, this 1940's radio legend had found he was viewed more as a caricature of his former self, whose role on the world media stage had worn out its welcome.]
[There was no music theme for the series. Instead Winchell produced a simulated Morse code sound with a teletype key and a practice code oscillator. He verbally introduced the show on radio and television with his famous signature line, "Good Evening, Mr. and Mrs. North and South America and all the ships at sea -- let's go to press..." No one confirmed that too many ships at sea were receiving his gossip and commentary, since the Morse code he generated was garbage code for the dramatically urgent effect.] Source: No composer--sound fx only 1978 Publisher: 2001 Publisher: Composition Date: Copyright Date: Renewal Date: Recordings: